When I first read about the 1980 eruption of Mt. Saint Helens, I was struck by the sheer force of nature and the profound transformation it brought to the surrounding wilderness. The article described not only the immediate devastation—the flattened forests, the ash-choked skies, and the eerie silence that followed—but also the emotional impact such a dramatic event had on those who witnessed it. 

In creating this illustration, I aimed to capture both the physical and emotional aftermath of the eruption. The color palette is intentionally muted, with ashen grays, subdued blues, and earthy browns dominating the scene. These tones reflect the barren landscape that emerged after the blast.

This piece is more than just a depiction of a historical event—it’s an exploration of how landscapes are forever changed by natural disasters. 

The song “Down in a Hole” inspired this illustration. I chose a red and white color scheme to create a stark contrast, symbolizing both struggle and resilience. The central figure, with eagle-like wings, reflects the lyric, “But my wings have been so denied,” embodying a longing for freedom. I aimed to capture the aching desire to rise despite the weight of despair, conveying the emotional depth of the song through this imagery.

The Phoenix has always moved me—not only as a mythical creature but as a symbol of transformation, 

rebirth, and resilience. To me, it represents a force of nature that is extremely difficult to extinguish.

As an illustrator, the Phoenix is more than just a bird; it embodies strength and a willingness to press 

forward with renewed energy.

Through this illustration, I hope to capture the beauty and powerful emotions it represents.

This piece was inspired by a WWII documentary and a song with the lyrics "Hush, hush, keep it down now
Voices carry." The idea is that of a soldier being injured and not trying to call out in pain as to not give his group's position away.